Some of our readers might be interested in a short history and purpose of framing. In the broadest sense, a frame’s purpose is to define the shape of an object. As early as 2000 BC, framing can be seen as stylized geometric margins on vases and tomb painting. Vertical divisions, architectural frames and mosaic borders were used to arrange subject matter in very early works.

It wasn’t until the 12^th and 13^th centuries that carved wooden frames appeared and were the forebears of modern ones. In the 14^th and 15^th centuries in Italy, the outside edge was altered considerably. Frames were an important part of the medieval church, imitating the appearance of the basilica as they housed painted images. The purpose of these frames were to separate the various scenes depicted.

The framing we are more familiar with emerged in the Renaissance period, with the outer edge being rectangular and enclosing a single scene. Each country developed its own stylistic variation of this movable wooden frame. The golden age of frame-making began in France, when art patronage moved from the church to the kings. Elaborate curving and gilded surfaces were used to embellish these frames and master carvers were sought after by the royal families.

A uniform vocabulary of frame-making began to emerge in 18^th century England with a second classical revival. Frames continually reflected the concepts, designs and thoughts of the artists throughout each period. As one studies frames, he can identify the relevant period.

There have always been many purposes of framing. One is to increase the focus on and isolate the subject of the picture from its surroundings. A frame also provides an area of transition from the real world to the painting’s subject matter. In addition, it is used to protect artwork from damage.

It should be an important consideration and responsibility of the patron of arts to make the frame movable and protect it from environmental elements. The value of the artwork can be only to the individual owner or to the cultural history of man. Either case justifies good or conservation framing.

Marge Whetzel

Marge Whetzel is owner of Whetzel’s Corner, a framing, antiques and gifts business. She’s also the artist of the limited edition sketches of the Nokesville Barn. For an appointment, call 703-594-2297.